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Fiction or non-fiction, the excavation process of writing can trigger past traumas, reopen old wounds, and just be downright exhausting. In this workshop, you’ll discover how to:  You’ll walk away with practical tools to care for yourself while […]

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This class will focus on focused revision at the level of language. It’s not about plot or form or structure, but rather about the constituent elements that make up sentences or lines. Students will be offered tactics to […]

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Join writer L Scully (Nonfiction, January 2023) for a single session workshop focused on creating your own DIY sonnets. You will accompany L for one evening of their daily sonnet quest. This class is a two hour generative […]

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Using her own Newbery Honor and Caldecott-winning picture book, Watercress, as well as books by others as examples, Andrea Wang (WFYP, June 2011) will discuss the differences and similarities between fiction PBs and memoirs, including elements such as […]

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Have you always wondered what’s involved in writing a picture book? In this Zoominar with Deborah Sosin (Nonfiction, January 2015), you’ll review the step-by-step process that led to the publication of Charlotte and the Quiet Place (Parallax Press, […]

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Come join Facilitator Ella Nathanael Alkiewicz (she/her) (Nonfiction, June 2018) for this workshop on Saturday, Oct. 26th. Bring your pen and paper. Attendees will visit across the rectangles and hear stories, jam a little, and then write. Each […]

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In this course, led by Angelo D’Amato (Fiction, June 2020), will look at William Faulkner’s “The Sound and the Fury,” Virginia Woolf’s “The Waves,” and excerpts from James Joyce’s “Ulysses” and “Finnegans Wake,” to understand how this technique […]

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Hurley Winkler (Fiction, January 2017) presents a 90-minute lecture-style workshop on developing a successful online newsletter. The writer of a popular newsletter shares her keys to success on Substack. Learn about newsletter content strategies, the benefits of Substack […]

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There’s nothing like an amazing poetry reading! These are the events where readers are not onlyprepared, they’re authentic, compelling, charismatic, and memorable. Why is this kind of readingimportant for you as a poet and for society at large? […]

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Learn about the process of publishing Charlotte and the Quiet Place and discuss the interaction between art and words with Deborah Sosin (Nonfiction, January 2015).
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